Tag Archives: poetry

“Oidhche Bhlas Burns”

Or if you’re an inveterate sassenach ‘Happy Burns Night’. So, if you had a good one last night that’s great, because I spent my Burns night fighting a series of ‘server errors’ which is why I’m 24 hours behind – and NO WHISKY!

Yesterday we were celebrating the life of Robert Burns, also known as Rabbie Burns, poet and lyricist, widely regarded as Scotland’s national poet and a key figure in Romanticism. Born 25 January in 1759 in Alloway, Ayrshire, Burns came from a farming life to compose enduring works in Scots and English.

Burns was a rebel against the social order and a bitter satirist of all forms of political and religious ideas. Despite his upbringing he was by no means an illiterate peasant. He was a craftsman. Around age 26 his poetry output expanded as he sought to express more of his emotions and comment on the social scene. He has been described as someone of great intellectual energy and force of character.

Burns’ first significant recognition came in 1786 with the publication of his debut poetry collection, Poems, Chiefly in the Scottish Dialect. It was an instant success, earning him fame as the ‘ploughman poet’. Burns produced some fine poetry, the first of which nearly everyone has heard on numerous occasions: AuldLangSyne but others regularly crop up: To a Mouse, AMan’saManfor A’ That, Scots Wha Hae and Tam O’Shanter.

The latter was the only poem he wrote after his time in Edinburgh that showed a hidden side of his poetic genius. Written in 1790, it’s a narrative poem in eight-syllable couplets based on a folk legend. It paints a picture of the drinking classes in the old town of Ayr in the late 18th century, populated by several unforgettable characters including Tam, Souter (Cobbler) Johnnie and his own long-suffering wife, Kate. The tale includes humour, pathos, horror, social comment and some truly exquisite lines. Try and read it in the original before succumbing to the translation – it’s not that difficult.

Burns worked as an excise man and felt it his duty to serve as a private in the Royal Dumfries Volunteers, a local militia formed to defend Britain during the French Revolutionary Wars. He joined the unit in 1795, serving until 1796. Burns produced so much fine poetry that he has become the Scottish national poet. He died in Dumfries, Scotland, in 1796 aged only 37.

No doubt last night there was plenty of Scotch broth, haggis, bagpipes, whisky and, of course, poetry. A life well worth the celebrating.

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Following Black History

You may recall that October was Black History Month. It was a very busy time for publishers and authors, so much so that I’m still waiting for feedback from some of them! However, a trawl through my own library produced three particular books I’d like to share.

The first is Propa Propaganda by the late Benjamin Zephaniah, writer, dub poet, actor and musician as well as professor of poetry and creative writing at Brunel University London. It was a huge loss to the world when he died aged 65 less than a year ago.

Propa Propaganda (Bloodaxe Books 1996) is a few years old now, but right from the start carries the distinctive BZ voice we all came to know. This collection is short treasure, if you’ve never read any of his poems: Terrible World based on Louis Armstrong’s memorable song, White Comedy (I waz whitemailed/ By a white witch,/Wiz white magic), De Queen an I and his three part Acts of Parliament which loses nothing with time and could have been written yesterday!

Acknowledging Black Authors: A couple of years ago I met Garfield Robinson at an event and spent some time talking about the work of black authors, poets, songwriters, all types of storytellers.

His book Keepers of the Flame (POH Books, 2022) is an excellent collection saluting the work of 100 Black authors – all the way from Shirley Anstis, a mental health counsellor, to Lyndon Wissart a professional chef. Every one of the hundred has a story to tell – inspirational, heart-warming, inquisitive, passionate. The illustrations, printed like engravings or woodcuts, provide an image to accompany the voice explaining their reasons for writing. Some writers you may know, many you will not.

If you want to investigate further, this is the place to start. A ready-made reference compile by Garfield Robinson – bookseller, author and publisher.


My third choice is The Perseverance by British-Jamaican poet Raymond Antrobus. I had the pleasure of interviewing Raymond back in 2019 at the London Book Fair, where he was performing readings from this debut collection.

Beginning with his deafness he merges masculinity, race his mother’s dementia and his father’s death – with a lot of focus on his father. There’s a wonderful series of poems ‘Samantha’ based on an interview he did with a deaf Jamaican woman about her arrival in England. As we might expect his own deafness and communication, his identity (Jamaican British or Jamaican, British? choose) run throughout these poems.

The Perseverance is published by Penned in the Margins 2018.

That’s just a small but belated contribution to Black History month. All well worth a read.

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